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#1 |
Senior Member
Join Date: May 2003
Posts: 1,435
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It's midday.
It's a sunny day in the Alps with a few degrees below zero. The wind in your face is gently blowing while the chair lift is carrying you on the other side of the mountains where the ski slopes are directly hit by the sun. Nobody beside you, nobody behind you , nobody in front of you. Just the sun, the wind, the snow and this landscape around you : |
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#2 |
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Join Date: Jul 2002
Posts: 3,422
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Whoa, brtsergio...you have captured so well a splendid moment of solitude in the mountains.
Your prose with your photo helps this forum member immerse himself in the moment that you have so graciously shared. Waaaaaaaaaaaaaaaaaaaaay ![]() |
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#3 |
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Join Date: May 2003
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Thanx digicamfan !
Well, youare a good teacher in adding prose to the shots ;-) Thax for letting me willing to experiment with words. |
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#4 |
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Join Date: Feb 2004
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Great shot brts!! Love the composure. The curve in the road really adds to it for me. Did you use a cp4300, and or, a polarizer?
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#5 |
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Join Date: Oct 2004
Posts: 9
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All I can say is "WOW!!!" That's an amazing photograph...something I will look up to and try to match it's quality :-)
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#6 | |
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Join Date: May 2003
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Thank you !
thekman620 wrote: Quote:
Ihave a Polarizerbut I did not use it that day ( The polarizer requires an adapter whose dimension prevents me to store the cam inthe pocket I had that day while skiing in the Alps :-( ). Everything has been enhanced at home with Photoshop. - manual level correction - dodging of the trees (much more darker than the ones in this picture) with a soft bug brush - depth enhancement of the snow with a big soft burn brushtool on midtones. |
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#7 | |
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Join Date: Aug 2004
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brtsergio wrote:
Quote:
Excellent work. Tom, on Point Pelee, Canada http://www.darwinonline.org/index.php?cat=11078 |
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#8 |
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Join Date: Jul 2003
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The image is exquisite, makes me feel the chill of the frigid mountain air.
Peter. |
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#9 | |
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Join Date: May 2003
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Thanx !
Tom Overton wrote: Quote:
Well, a soft brush with small opacity values helps a lot. Still, brush dimension should be changed according to the dimension of the elements you want to burn-dodge. The brush dimension I used for the trees on the left was different than the one for the trees on the right ( more or less the same height of the treesfor the trees on the left, and a muchbigger one for thre trees on the right ). Still, I found useful to follow the profile of the objects you want to dodge-burn. And so I used some "S" brushtrokes for the snowy road and a curved C for the snow on its right. And I also made use of some Ctrl-Z keystrokes from time to time :-) |
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#10 |
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Join Date: Aug 2004
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A trick I learned from one of Scott Kelby's books is to do "dodging and burning" on an overlay layer filled with neutral grey. Technically this is not true dodging and burning; it's painting over the grey (soft brush/low opacity; same as your process) withdegrees of white or black. (or any other colour, I suppose) The great thing about it is this process is completely reversable if you save the layers.
Tom, on Point Pelee, Canada http://www.darwinonline.org/index.php?cat=11078 |
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