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#1 |
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Join Date: May 2003
Posts: 1,435
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This is a Photostitch of 2 shots taken in Passo Rolle, in the italian Alps.
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#2 |
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Join Date: Oct 2003
Posts: 3,652
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I nearly got a nose print on the monitor trying to see a seam. Saw none.
Really nice, Sergio. The panorama gives a sense of the width, depth, and height of the space. |
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#3 |
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Join Date: Feb 2004
Posts: 110
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I love that picture – reminds me of when I used to go skiing. As Barbara said, great depth and achieved by the panoramic view.
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#4 |
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Join Date: Dec 2003
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gj again sergio!
i really want to go to the Italian Alps now ![]() good job with the stitching too aren't panorama's with people hard? |
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#5 |
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Join Date: Jun 2002
Posts: 504
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Great photo, wish I was there for a few weeks.
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#6 | |
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Join Date: Dec 2003
Location: Milwaukee, WI
Posts: 111
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![]() Quote:
![]() That's one cool concept about panorams like this one. Those people weren't actually in those places at the same time. It kind of creates a new dimension that combines the actions during two different times at one location. |
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#7 | |
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Join Date: Oct 2003
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#8 | ||
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Join Date: May 2003
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Thanks everybody !
Seamless ? No seams ? Well, maybe because it is small :lol: :lol: :lol: Beside kidding, sometimes Panorama tools must be helped. My Panorama Maker doesn't always assign match-points in a correct way for instance : most of times I have to set them manually. My PanoramaMaker says it does an automatical exposure correction but this is not always good and it doesn't deal with white balancing. So I have tryed a white balance correction on the two single shots before stitching them. This time however the task was even more complicated for it : The two shots were not meant to become stitched together at shooting time : the second shot has been taken with the zoom while the first one with the wide angle, hence the dimensions of the objects in the two shots was different by a 1:1.5 ratio. Well, PanoramaMaker succeded rather well in merging them but for some artifacts I had to erase with the clone stamp tool. The biggest problem was the vertical merge of the sky : since the two shots were of different scale, and no matter how I tried to make a previous brightness correction on the individual shots a big vertical line appeared separating a dark blue zone from a light cyan one. I could have operated a sky substitution but I liked the cloudy part on the right. So, I procedeed in the following way : I used a mix of soft big/small smudge,blur,clone stamp,patience,dodge,burn tool brushes to fade that awful line into a cloudy look sky. That slanted light part of sky on the left of the mountain peak has been completly digitally rebuilt : the original sky was completly clear in that place. I tought someone would have noticed it but it did not occur, so , I take it as a compliment for the moment ![]() Hard Panoramas Quote:
Absolutly right ! Last year I took a 6 shots (for an almos 180° pano) of a square in Milan taken from behind a big fountain. When I stiched them there was always something wrong : I then realized that cars moving in the traffic are not easy to manage :lol: :lol: Those people weren't actually in those places at the same time. This concept has been exploited in a very nice way by I do not remember who ( maybe Frank Dorhof ? ) and in which forum last year. I remember he made a panorama of his garden with 4-5 shots : his wife was apperaring in every shot so the panorama had his wife in 5 different positions as she walked along a path. I remember he created a rotating support for this : does anybody here remember the post ? |
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