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#1 |
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Join Date: Aug 2004
Posts: 4,555
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Just curious to find out if anyone uses the 11-22 for full length port shots and how the lens compares to the 14-54ZD at 14-22mm for sharpness? The reason i ask is that the 14-54ZD isn't as sharp as i'd like when shooting between that FL.
Cheers Harj |
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#2 |
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Join Date: Oct 2006
Location: Camano Island, WA.
Posts: 2,328
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Hi Harj,
I believe RRiley uses this one for his real estate interior shots, there's a couple here: http://forums.steves-digicams.com/fo...mp;forum_id=36 Impressive lens, not much distortion or barrelling. |
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#3 |
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Join Date: Feb 2008
Posts: 247
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hi Harj, its never occured to me to use a 11-22 for portraits due to barrel/perspective distortion, buti suppose someone with more creative vision than me could get interesting results. if anything, i like a little pincushion distortion for portraits.
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#4 |
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Join Date: Aug 2004
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Hi G
I was thinking of just shooting with the lens for full length shots , which is what I've been using the 14-54 for and its not as sharp as I would like. ideally I;d get the 14-35F2 but thats not going to happen unless it drops a lot in price and I get paid to do my own project shoots. Cheers Harj :? :O |
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#5 |
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Join Date: Feb 2008
Posts: 247
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when i want sharp, i use a prime. maybe the leica 25? love to see what you could do with it.
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#6 |
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Join Date: Aug 2004
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Hi G
The Leica is definitely on my list and I may just get it and learn to work with the lens. Now if they also did a 11 or 12mm F1.4/2 that would be a pretty killer combo against the 14-35F2 and for a lot less. Cheers Harj :O :? |
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#7 |
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Join Date: Aug 2006
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hi guys
Harj i dont do portraits because i make them look like mug shots but its a great lens, at 22mm [44EFL] it has zero distortion, and just a tad at 11mm up close, thats likely very important to you. It makes a good copy machine too when you need to copy a plan ![]() ![]() i took that indoors handheld so needed 800iso [no flash] its as sharp as the original. Even at silly apertures, this was at F22 when i saw an opportunity where i needed a slow shutter but was caught in the wrong mode with no time to spare, iso100 1/40th, F22 ![]() and a crop of the guy on the BSA Bantam [restored] ![]() despite diffraction at F22, a lot of detail remains that said, even at 22mm [44EFL] you are just 2.6m, about 8'6" away from a door to get the full door in frame in portrait mode. I hope that helps Riley |
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#8 | |
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Join Date: Apr 2007
Location: Maryland, USA
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gwillys wrote:
Quote:
Ted |
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#9 | |
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Join Date: Apr 2007
Location: Maryland, USA
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HarjTT wrote:
Quote:
I'm curious as to why you would need a fast wide-angle lens. Does your studio work require a wide angle? I would have figured that that's not very common in studio (i.e. low light indoor) work. Ted |
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#10 |
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Join Date: Feb 2008
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tkurkowski wrote:
Thanks for posting that observation. I don't do a lot of portraits and I never thought about the fact that given a choice, folks would rather have distortion that makes them look thinner rather than more plump. Ted hi Ted,a great portrait lens is the rokkor 58mm 1.4, because of its pincushion distortion and other attributes - very sharp with beautiful bokeh. just does a great job. very complimentary for most folks. makes the ladys happy! cheap too, even with a adaptor. |
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