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#51 | ||
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Join Date: Mar 2005
Posts: 18
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StevenBVT wrote:
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#52 | |
Senior Member
Join Date: Feb 2005
Posts: 966
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Westcoaster wrote:
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Indeed, the rocks to the left are a bit of a distraction and this was intentionally left this way so individuals as yourself can see. Now tell me why they are a distraction and offer a possible solution if you can. Don't knock the importance of this forum. I value the opinions of several members here. Rodney |
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#53 |
Member
Join Date: Apr 2005
Posts: 30
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Hi all, sorry for my lack of participation in a conversation I was at least partly responsible in stirring up. I've had a busy weekend! :-)
This has been interesting and educational. Maybe it's the fact that I'm an amateur photographer who doesn't aspire to be a professional that I find, as someone else pointed out, that sometimes there is too much "technical" discussion of a photograph (angles and attempting to draw the eye this way or that). We all have to agree that what appeals to one person is not going to appeal to someone else. It has always been and always will be this way with regards to art. The problem is, when someone is asked "why don't you like it?" the answer very well may be "I don't know... I just don't care for it". The artist should accept this. I think sometimes we may be too buried in the details of framing and composition and perfect lighting to just step back and say "you know... I like that just the way it is." I'm sure that not everyone in here is interested in the "absolute perfect way" to photograph a certain subject, just how to take pictures that don't stink up the joint... ya know what I mean?? So, at the risk of beating a dead horse, the brown mat surrounding Rodney's photo may well evoke a feeling of "I don't know why, but I just don't care for it." This has to be accepted. Maybe someone else can define the reason better, but you can't expect someone to expound on what they can't put their finger on. Incidentally, I'm glad you reposted the photo Rodney. I personally find it attractive. Maybe I don't have a "trained eye", but I don't find the rocks that distracting. And while something can be said for preferring photos as the subject really appears (ie, with no blurring of the water), once again, you have to think about the photographer's (artist's) intent. Was the photo meant to portray realism, or was it intended as art? Rodney knows the answer, and I suspect others do as well, but it is really only Rodney that knows the real reason he took that photo as he did. That shouldn't affect your enjoyment of it though. If you prefer more realistic photos, you don't buy that one at your local art exhibition. Someone else will. I also don't mind the matting on this photo. As has been pointed out, if you were to hang this photo on your wall, you most likely would be matting and framing it, so I don't find any problem with doing that electronically. And as for my 2 cents, I think the larger mat is better, as (again, if this photo were to be hung on the wall) the narrower mat is too narrow. I have some personal experience with matting and framing being integral to the presentation of a photograph. I captured a lightning stroke on film some years back which played with by my local developer in the darkroom became a thing of beauty with rose-colored clouds surrounding the bolt. I made a couple of prints, one of which I gave to my mother-in-law. I framed mine in a satin finish metal frame that was just a little on the bronze side of silver, to mimic the color of the bolt, with a neutral colored mat. My mother-in-law framed hers with two mats, the interior mat being a rosey color to match the clouds surrounding the bolt with a dark blue mat on top. Then it was framed in a dark wooden frame. Her presentation of my photograph kicks the #[email protected]#% out of mine! It does the photo more justice than my treatment of it... and I was the "artist"! :-) Matting and framing DOES make a difference. So anyway, I've rambled on now too long. Rodney, I can appreciate the fact that you want to give honest assessments of someone's technique (that IS what they are looking for), as that is what you yourself say you seek. But I do still think that you know your photography is superior to others, and you are not posting so much to receive criticism, but to seek praise. That's fine... we all are looking for praise in life whether it be with our photography or from our bosses at work. But please take any criticism you can get, as you get it. We may not be able to explain why we don't like a certain thing you have done with lighting or composition or whatever, but please also do not chide people for that. |
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#54 |
Senior Member
Join Date: Feb 2005
Posts: 966
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SevenBVT,
Actually, I'm a bit modest and embarrassed by praise. If you'll check out the rules of the forum, everyone is encouraged to say a photo stinks or something about it just doesn't work, but you should be prepared to say why it doesn't and if possible offer a solution. If you desire to improve your skills then you must also be able to see what it is that you like and dislike about other's work. It is this study that helps us determine what we will do different to improve a similar composition. It also helps us see where our own images are lacking. Thank you for sharing the story about matting. Rodney |
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#55 |
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Join Date: Apr 2005
Posts: 30
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That does make some sense where in a forum where the object is to give and receive constructive criticism that a criticism of "that just plain stinks" is not very constructive. However, just as there is always one rotten apple in a basket, you can't let it get to you and spoil the whole bunch.
So while you may not always receive the best, most constructive criticism always, do not let that get the best of you and bring out the ugly side that we all have in us. Making it appear that you are ungrateful for what criticism you have received will tend to scare away people from perhaps hitting that nail on the head for you. As for my future intentions... I don't get out and photograph nearly as often as I would like to... maybe someday I'll get around to it. So I really don't have much of a protfolio yet to get help with. But I will put my faith in this forum's population to offer what help and/or praise is deserving when I do get around to posting a photo. |
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#56 | ||
Senior Member
Join Date: Apr 2005
Posts: 859
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Westcoaster wrote:
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Yes sometimes Rodney is a little rough. But that is just the wording. I've even PM'ed some people to encourage them afterwards. But the critiques are correct. If you don't want your pictures logically critiqued, show them to your mother. I have never been critiqued by Rodney but he has already made me a better photographer. I'll bet Rodney will be nicer in the future but I hope his analysis will always be true. And if I'm ever brave enough to post a picture in "Critiques and Techniques" I only hope Rodney or someone else is willing to take time out too help a guy out in Ohio. If I can't be good I'll be silly… That's why I post in "Funny Fotos" There is a place here for everyone to post pictures. Post them here if you really want to improve your skills. mho dale PS That'll befive dollars Rodney. |
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#57 |
Senior Member
Join Date: Mar 2005
Posts: 209
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"And while something can be said for preferring photos as the subject really appears (ie, with no blurring of the water), once again, you have to think about the photographer's (artist's) intent."StevenBVT
AH-HA! That is what it is... I knew it was something I couldn't put my finger on. I tend to ask questions when I can't figure something out. So if I ask it is to try and understand where you were coming from before I assume. Personally, I prefer nature shots to look ...well... more natural (for lack of better words). I'm just discovering my own tastes so you will have to excuse my uncertainty. Being an anxious individual I tend to gravitate tomore subdued photographs. But that, I suppose is just a matter of taste.I prefer a classic Karmen Ghia to a sports car. But I'm kinda like that... Plain Jane. ![]() "Everyman has his own quirks and twists." As does nature. I prefer to see it's quirks. It's not a bad shot though. Just not my favorite aspect. I hope that doesn't offend you Rodney but I'm certain there is nothing you can do to change my inclinations. So it is not your picture that has the problem.:-) |
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#58 |
Member
Join Date: Apr 2005
Posts: 30
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And of course, now that I think about it, maybe you don't know what the artist's intent was! Some of today's most beloved artists may have been maligned by their contemporaries only because they didn't realize his or her intent.
When you think about it, art (which some would consider photography to be a form of) is VERY subjective. I think the key to good photography is if you like it, then it is good! :-) If you are creating art of art's sake, then you have to accept that it may not be everybody's cup of tea. If you are creating art for the sake of making a buck, then you'll have to appeal to a broad audience, and what fun would that be? |
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#59 |
Senior Member
Join Date: Dec 2003
Posts: 5,710
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hey rodney..
a little late on this thread... but i feel it's necessary to post my comments here ![]() this image, for me, works, and doesn't (i'll explain ![]() the composition, the rocks, the tree branch reaching over, the placement of the stream itself, the blurred water...all work very well for me.. but something is going on in the water...probably from sharpening, but it looks pixelly in some spots... it looksl like you have have sharpened the water in photoshop.. may i ask what your workflow is like in photoshop? if you DID sharpen the water in photoshop, that's probably the problem, and could be 'fixed' for next time by just duplicating your photo layer, and sharpening the duplicate, and mask out the water... and, about the frame...i'm not a fan of big bulky frames...the colors work very well, but it's too 'big' for me.. at the moment...i'm looking at it from a different monitor...which isn't calibrated, making the dark brown blend in with the black..and disappear. because of that, i can only see the thin inside color, which, imo, works very well here.. but, it's apparent are personal preferences are the same, and i have no place forcing mine on you, or vice versa. and lastly, about 'the guidelines'... not only do the guidelines wish you critique (lol, look at the forum title!), but they also have like, five seperate guidelines for things like, be respectful be kind be helpful (lol, dunno if that one is one...but it was something like that) anyway, critiques aren't worth much when you just bash the persons work.. sometimes, like steven said, you don't know what you don't like about it...but, when you do, you should (kindly) explain what you think would help.. most of the time, you really can only critique the 'technicals' of the image..unless the meaning and message of the photo works so well, that it isn't doubted by anyone..then you could comment on how to make that message stronger. someone earlier had said that photography is considered an art.. well, it most definetely is...if it wasn't, every professional photographer would end up with the same image of a flower/tree/mountain/etc... everyone views there subject differently..as you can see in the weekly challenge forum (the challenge is on trees) we've had a very large variety of different images..all of which being very good, and showing their vision of 'trees' well, that's my thoughts..you don't have to agree with them...(well, yeah you do ![]() Vito |
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#60 |
Senior Member
Join Date: Feb 2005
Posts: 966
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Vito,
I can direct you to post after post where participants are being rude to me and a dozen or more were removed by the moderators and you are pointing out the rules to me?? I'm direct and to the point, but never rude. It is more rude to point out that someone is rude. Listen, I don't have to be here. If everyone would like for me to leave, I'll be happy to do so. Rodney |
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